Olimpia Boronat (1859 or 1867^[1] – 1934) was an Italian operatic coloratura soprano, noted for her performances of the soprano roles in the bel canto repertory.

Boronat was born in Genoa, and made her debut either there or in Naples during 1885. She sang around the world, particularly the Spanish-speaking world, but was particularly associated with Russia; she first sang there at St Petersburg in 1894. She married a member of the Polish aristocracy, and retired from the stage for six years from 1896 to 1902. After her hiatus, she sang initially in Russia; it was not until 1909 that she returned to her native Italy to sing.

Boronat was noted for a voice of great beauty and clarity, and exceptional technical ability, coupled with sensitive musicianship. She was particularly associated with the roles of Rosina in The Barber of Seville, Violetta in La traviata, Elvira in I puritani, and Ophélie in Hamlet.

After her retirement, Boronat founded a singing school in Warsaw.

Puritani,Don Pasquale,Rigoletto, Martha, Huguenots,Sonnambula, Olga (Gianelli),Nightingale, 2 Ave Marias (Bach)

....and speaking of BACH,I hope my fuguing BACH gets better. If you do not get the pun, you are not missing an anything)

 My dear buddies from Angola to Zanzibar,

   Please bear with me since I have had a rough time sitting and hope you will "back me up"...Love you all............

Charlie (not the guy in the photo,but I feel like him.)

Sorry for not posting much.

Gettng massages  (Polish lady)  maybe O will soon sound like PYOTR!!!!!!!!!!!!!!!!!!

nO ONE SINGs LIKE THIS....................

She OWNED the role.....

Beloved!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I cannot do this anymore....

Miss her...................

Try this!!!!!!

Born as Maria Maddalena Olivero in Saluzzo, Italy, she made her operatic debut in 1932 on radio in Turin radio singing Nino Cattozzo's (1886–1961) oratorio, I misteri dolorosi.^[1]

She performed widely and increasingly successfully until 1941, when she married and retired from performing. She returned to the stage ten years later, at the request of Francesco Cilea, who asked her to sing again the title role in his opera Adriana Lecouvreur.^[2][3]

From 1951 until her final retirement, Olivero sang in opera houses around the world. Among her most renowned interpretations were the leading parts in Adriana Lecouvreur, Iris, Fedora, La bohème, La fanciulla del West, La traviata, La Wally, Madama Butterfly, Manon Lescaut, Mefistofele, and Turandot (as Liù).

She sang in Cherubini's Médée at the Dallas Opera in 1967 and in Kansas City in 1968.^[4] In 1975, Olivero made her début at the Metropolitan Opera House in Tosca. Her last performances on stage were in March 1981 in the one-woman opera, La voix humaine by Poulenc.^[5] Her stage career ended at age 71, after spanning nearly 50 years. She continued to sing sacred music locally and, well into her eighties, made a recording of several arias.^{[citation needed]} Recordings exist of many of her great performances of both full operas and arias and scenes.

GOD BLESS YOU!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

My beloved Magda is gone................................I have no wprds..through my tears

Superb Voice!! Pagliacci,Chenier,Zaza, Faust

Bless Dear Licia,as we hear Suor Angelica,Rondine,Onegin, Louise