I am really so tired of being Galvany's unpaid agent...but i guess it is worth it,knowing how people adore her most remarkable singing. I think this is a sensational example of vocal technique.

  I think Zinka said, "The girl vill not last!!!!!!!"

NOTE: Use of chest voice (the word"muoja") and some "authoritative"attacks on certain phrases. This is a special artist for me, and I am so happy to have heard heard. We wish her the best!!!!

After the great Gilda of Mme.Lungu, I went to Youtube and was ASTOUNDED that this "little Gilda' was able to became a totally different soprano,according to this music...great low notes, much dramatic thrust..How many singers can adapt this way to various vocal challenges????

  She was also as lovable backstage as anyone can be!!!!!!

 How thrilling to discover a new voice. Irina Lungu's Gilda was so gorgeous, and as a person she is as radiant as her voice...I hope she does more and more here because we NEED her brand of soprano....LOVE HER!!!!!!!!!!!!!!!!!!!!!!!!!!!!

From 1969..I never knew about this....I thought i knew of every BREATH she took...Imagine the chest voice and then the e flat.......

 Guardian of the fountain in last night's FRAU...He is a Met audition winner..He hit one top note that made me feel he would major talent!!!!!

  Hi all,

     Still have a few glitches, although not quite as bad as our Healthcare computer site, but i will send you some nice videos to keep you busy until I resolve this. I do not want to lose my fan club!!!!

       It was the greatest delight for me this evening to open up Opera News and read this article about Diana Soviero, who has been a friend since 1977, when I was astounded at her Mimi, and felt she was a rare throwback to the days of Albanese,Tebaldi,De Los Angeles,etc. When I asked her something like, "Who are you?" and mentioned that I had not heard a soprano who combined the finest elements of both Stimme and Kunst divas, and who made me think of Tebaldi, she told me how Tebaldi has kissed her when she was a young lady. THAT FIGURED!!
       All you need to do is go to Youtube and watch her final scene from Suor Angelica and you will best understand, as it mentions in the article, that she falls into the Zeani,Scotto, Olivero, Freni mold. I know people who have told me that a regular sized hanky is not enough for them, and they needed more of a large towel to catch the tears!
           I have always believed that it is a rare trait of Diana to be able to sing so beautifully, with lush tone, great range, and CHEST VOICE (which practically no one uses today) and at the same time emote with the kind of depth that more often a "flawed" diva possesses, but she also sings so flawlessly, and does not have to "compensate' in any way.
          In the article she speaks of singing sick, and that reminds me of the "Bronchial Violetta" at City opera, where I did not know she was ill, and we were literally banging on the proscenium to witness a Violetta for the ages.
            Another very special element in Diana's art is the way she uses even one WORD to express a certain emotion, as for example the "Lui" in act one Tosca in the phrase, "Ed io veniva a LUI tutto dogliosa." It is an example of how she uses a single word to bring out the depth of emotion. (cf.Magda Olivero's career.)
         I am so happy for her, and for all of her many students who will be able to learn so much of what she has to offer, but as you well know, I am still waiting for another such diva, but perhaps she can produce some as a result of her amazing ability to convey emotion,while improving vocal technique.
          So tell us,O Charlie, what you think of her?       Best always, Charlie      
 

What opera should be (and mostly AIN'T these days), when the PRODUCTION counts more than the artists!!!!!!

This Rysanek Met farewell in Pique Dame will illustrate the adoration we all felt for her, born Nov.14, 1926. She knew of her prognosis at the time of her farewell, a courageous woman. Yes, she had vocal flaws, and went through a bad period in the early 1960's, but NO ONE was more committed to the stage in our experience, and she "owned" roles like the Frau Empress and Senta in the Flying Dutchman. She will remain forever in our hearts.