Sat, 19 April 2014
The great man sings material that we do not usually hear, since he is renowned as probably the greatest Wagnerian tenor EVER. This material is from 1946-7 and is mostly superb, with the exception of the Italian arias,which I feel do not represent the man's greatness.
Dein ist meine ganzes Herz, I det frie (children's song from Denmark), Agnus Dei (Bizet), Easy to Love, Silent Night, Cantique de Noel,The Rosary, Ave Maria (Bach-Gounod), The Kiss in your Eyes (Der Opernball), Spring came back to Vienna, Kaiserwalzer (J.Strauss), Torna a Surriento, The Song is You, Summer Moon, Mattinata, Who is Sylvia, O Promise Me, I love you truly, All mein gedanken,arias from Tosca and Pagliacci.
Sun, 13 April 2014
In response to dear Mr.Jan Rouwen's request, I am making this double podcast of material as rquested:
1. Tenor Gotthelf Pistor in scenes from Siegfried, Parsifal, and Tiefland.
2. A comparison of the Tannhauser "Rome Narrative" as sung by:
Lauritz Melchior, Ramon Vinay, Rene Kollo (these three live) and Peter Seiffert and Placido Domingo (these two from commercial recordings.)
Come on,folks, follow Mr.Rouwen's lead and send me more ideas (Placido21@aol.com)
Wed, 9 April 2014
Rita Hunter sings arias from Aida,Macbeth, Forza, Gioconda,Tosca, Fidelio, Idomeneo,Cavalleria, Schicchi (in English), and "My Hero" (from the Chocolate Soldier), and " Tosti's "Goodbye."
Rita Hunter was born in Wallasey, Merseyside and lived in Limekiln Lane. During her childhood, her parents, both fans ofmusic-hall, would take Rita to many of the final tours of the last music-hall artists. She studied singing in Liverpool with Edwin Francis and later in London with Redvers Llewellyn and Clive Carey. She joined the Sadler's Wells Opera Company in 1957, and sang in the chorus with them for two years before touring with the Carl Rosa Opera Company. She then obtained a grant from the Countess of Munster Trust, which made it possible for her to study for a year with Dame Eva Turner. After this she went back to the Company as a principal, where her roles included Senta in The Flying Dutchman, Musetta in La bohème, Odabella in Attila, Fata Morgana in The Love for Three Oranges, Donna Anna in Don Giovanni, Amelia in A Masked Ball, Santuzza in Cavalleria rusticana, Elizabeth in Don Carlos and Leonora in Il trovatore.
Rita Hunter will be remembered as one of the major Wagnerian sopranos of the later 20th century, especially for her performances as all three of the Brünnhildes in the Ring cycle, conducted by Reginald Goodall at the English National Opera. In this production she was partnered by Alberto Remedios (who had studied singing at the same time as Hunter inLiverpool with Edwin Francis) as Siegfried, and Norman Bailey as Wotan. The recordings based on this production, with the same artists, are regarded as amongst the finest available, even though they are sung, in accordance with ENO practice, in English.
In an interview in 1979 Hunter expressed her dissatisfaction with having to sing the same part in both English and the original languages. "I find it very difficult learning a role in different languages. The phrasing is different - one has to take breath in a different place." She also recalled having to know "Santuzza in three different English translations as well as in Italian". She found Italian easier to learn and memorize than German.
In the Glen Byam Shaw Ring production, the quality of Hunter's singing and interpretation enabled audiences to set aside her outsize stature (which conformed to all prejudices about Wagnerian sopranos), and few have matched her conviction as Brünnhilde. She made her debut at the New York Metropolitan Opera on December 19, 1972, in Die Walküre, with great success (conductor Erich Leinsdorf and Dame Gwyneth Jones as Sieglinde). She performed the GötterdämmerungBrünnhilde at Covent Garden, and also sang the part of Senta there at short notice. Hunter's later Metropolitan Opera performances of Die Walküre in 1975 featured Birgit Nilsson as Sieglinde and were conducted by Sixten Ehrling.
She also performed in Wagner and other operas in Munich, Seattle, New Orleans, San Francisco, and with the Welsh National Opera. In a memorable San Francisco season, she played the roles of Norma and Sieglinde in the same week.
In 1980 she was appointed a Commander of the Order of the British Empire (CBE).
Tue, 8 April 2014
I sincerely hope you are enjoying these pot-pourris. Here is no.12. Remember, anyone who has comments or suggestions, e-mail me at Placido21@aol.com. I am unable to use the comments section here, because it results in outside advertisements.
1. Rysanek/London Aida Nile duet (in Deutsch)
2.Licia Albanese La Wally "Ebben,ne andro lontana."
3.Ivar Andresen Gotterdamerung Hagen's Watch
4.Agnes Baltsa Cenerentola Final aria
5. Piot Beczala I Lombardi aria (My favorite tenor of today, as you know.)
6. Joel Berglund Tannhauser "Evening star."
7.Grace Bumbry Andrea Chenier "La Mamma morta."
8.Emma Calve Herodiade "Il est doux."
9.Enrico Caruso "L'alba separa dalla luce l'ombra" (Drives me crazy!)
10.Antonietta Stella Mme.Butterfly "Che tua madre."
11.Franco Corelli (Apr.8 birthday) Favorita "Una vergine"
12.Montserrat Caballe Trovatore "D'amor sull'ali rosee"
13.Mario DelMonaco Trovatore "Di quella pira"
14.Fernando de Lucia Iris "Apri la tua finestra"
15. Nicolai Gedda Pearl Fishers aria (Mio Dio!!!)
16. Marcello Giordani Adriana "La dolcissima effigie."
Mon, 7 April 2014
From Florence, 1972 under Riccardo Muti, I bring you William Tell with the following cast:
Nicolai Gedda, Norman Mittleman, Eva Marton, Agostino Ferrin (Gualtiero), Luigi Roni (Gessler), Flora Rafanelli (Edwige), Maria Casula (Jemmy), Mario Rinaudo (Melchtal). (70 min.)
Sun, 6 April 2014
A conglomeration of all sorts of material, from the wonderful to the bizarre:
1.Corelli Celeste Aida B flat diminuendo. 2. Millo Aida E flat.
3.Benjamin Luxon "sings" the Cavalleria Intermezzo. 4. Zeani's fabulous Console aria.
5. Sirach Von Bodengraven again proves that there is something rotten in Denmark.(Otello)
6. Martinelli's last Otello (19470 duet w.Cesare Bardelli.
7.Crazy Bonisolli hits 4 high C's in Turandot, and then when people start to applaud, he says that there is a pause that Puccini wrote.(so you can applaud.) He gave tenors a bad name!!
8. Edita Gruberova in Roberto Devereux. "VA!!" 9. The guy singing our Nat.Anthem (to be deported).
10.Puritani duet w.Sutherland/Gedda (to die for!) 11. Tosca finale with Nilsson.
12. Zauberflote aria sung by.....Have mercy!!! 13. Stevens/DelMonaco BURN UP Carmen finale.
14. Longest held high note EVER!! Caballe Don Carlo finale. 15. Di Stefano fabulous Faust high C
16. Kraus great D flat in Favorita. 17. Zeani/Filippeschi Puritan i duet
18. De Los Angeles and Schwarzkopf in Rossini's Cat Duet 19.Rysanek Frau scene
20. Lauri-Volpi Fedora aria at 79!!!! 21. Giovanni Roberti in puritani.(Hold your ears)
22. HILARIOUS guy named Dahlstrom in Rigoletto, with audience reaction.
Thu, 3 April 2014
Despite the sound,which can be a bit dull, Richard Tucker and Montserrat sing a magnificent Manon Lescaut under Bruno Bartoletti. Gianpiero Mastromei is the Lescaut, and Sr.Telasko is Geront (59 min.). Note that the photo is the Richard Tucker Monument outside Lincoln Center.
Tue, 1 April 2014
A compilation of various sopranos singing the magnificent final scene of Puccini's "Suor Angelica."
This podcast will be followed by some videos of the same scene. (51 min.)
The singers,in this order, are:
Beverly Sills (her only Trittico), Virginia Zeani, Rosanna Carteri, Gilda Cruz-Romo, Leyla Gencer, Theresa Zylis-Gara, Elizabeth Carron, Christina Gallardo-Domas, and Kristine Opolais (commercial recording.)
Sun, 30 March 2014
On Sept.29, 1965 both Mirella Freni and Gianni Raimondi made their Met debuts in La Boheme,under Fausto Cleva. The tape is a bit distant in sound, but it was a special performance and I know that you will enjoy it. Others in the cast were as follows:
Heidi Krall Musetta
Calvin Marsh Marcello
John Macurdy Colline
Clifford Harvuot Schaunard
Lorenzo Alvary Benoit
Andrea Velis Alcindoro
Sat, 29 March 2014
More superb singing from the great Frida Leider. As I had said, sometimes a great singer "escapes" notice, owing to all there is,but here we have some more excerpts from her repertory.
1. Oberon "Ozean,du Ungeheuer
2. The Wagner Wesendonck Songs
3. Ariadne "Est gibt ein Reich"
4. Don Giovanni "Or sai chi l'onore
5. Schubert: Erlkonig and Auf dem Wasser zu singen
6. Schumann Widmung
7.Tristan und Isolde Liebestod