Adamo Didur

His North American debut was as Alvise in Ponchielli's La Gioconda at the second season opening of Hammerstein's Manhattan Opera House. It was the night of "Golden Age" stars, also featuring American debuts of Giovanni Zenatello as Enzo and Jeanne Gerville-Réache as La Cieca, while Lillian Nordica sang the tile role, Mario Ancona was Barnaba and Eleanora de Cisnero was Laura. A year later, Metropolitan Opera engaged Didur as Méphistophélès in Gounod's Faust at the inauguration of the new Brooklyn Academy of Music to be followed two days later by his Ramfis in Giuseppe Verdi's Aida. On this all-star opening night of the 1908 season, Arturo Toscanini was in the pit and the rest of the cast included Emmy Destinn in her Met debut as Aida, Enrico Caruso (Radames), Louise Homer (Amneris) and Antonio Scotti (Amonasro). He remained with the company for a quarter of a century and became one of its principal bass singers, counting 933 performances in 55 roles.[9]

It was at the Met in 1913 that he appeared in the title role of Boris Godunov in the American premiere of Mussorgsky's opera.[10][11][12] Didur created the roles in three operas by Giacomo Puccini at the Met, La fanciulla del West and the Il tabarro and Gianni Schicchi of the Il Trittico trilogy. He also appeared at the world premiere of Humperdinck's Die Königskinder. His other important "firsts" at the Met include the US premieres of Mozart's Così fan tutte, Smetana's The Bartered Bride, Borodin's Prince Igor (singing both Prince Galitzky and Khan Konchak), and Montemezzi's L'amore dei tre re. He also sang under the baton of Gustav Mahler in Mozart's Le nozze de Figaro, Smetana's The Bartered Bride and the Met premiere of Tchaikovsky's The Queen of Spades. Didur's last appearance at the Met was in the role of Coppélius in Les Contes d'Hoffmann on 11 February 1932.[9] His voice had been on the wane for some time and he returned to live in Europe.[13

Direct download: didur.mp3
Category:podcasts -- posted at: 3:50pm EDT

Rare stage appearances by Virginia Zeani. She just told me they did a festival in her honor in Romania.

Who deserves it more?  Remember she is my "sister."

Category:general -- posted at: 7:40pm EDT

When I find a new voice,I want others to sample it.Note remarkable pianissimo tones, AND mixed chest voice on "Crudel," which pleases me so much.

Category:general -- posted at: 4:30pm EDT

Eleonora Buratto was born in Mantua, Italy. After graduating at the "Lucio Campiani" Conservatory, she continued her studies for three years under the guidance of Luciano Pavarotti and then with Paola Leolini. 
She made her debut in the role of Musetta in La Bohème in 2007, winning the competition " Adriano Belli " in Spoleto.
In 2009, conducted by Riccardo Muti, she debuted in the role of Creusa in Demofoonte by Jommelli at Salzburg Festival, Opèra Garnier and Ravenna Festival. In 2011, again under the baton of Riccardo Muti, she was Susanna in I due Figaro by Mercadante at Teatro Real Madrid, then at Salzburg Festival, Ravenna Festival and at the Colòn of Buenos Aires. In 2012, conducted by Riccardo Muti, she was Amelia in Simon Boccanegra at the Opera Theatre in Rome and in 2013 Norina in Don Pasquale at Teatro Real Madrid and in Rome and she sang in Chicago in the Mass in C minor with the Chicago Symphony Orchestra under the baton of Riccardo Muti. In 2014 she was again Amelia on tour in Japan with the Rome Opera Company.

Category:general -- posted at: 12:07pm EDT

You cannot judge by this clip, but the second this delightful lady sang the first Norina line, it was as if she was "miked." What a fabulous,most unusual resonance. I was thrilled!!!!!

  May she go far!!!!!!!!!!!!!!!!!!!!!!!!!

 

 

 

Category:general -- posted at: 12:00pm EDT

Zinka Milanov as Norma

  I was 18.(She was 48). My first introduction to the artist who would become my all-time favorite singer was during the 1953-54 season. I knew enough to realize she did have problems with high C, so I did not include all of the performance.

With Blanche Thebom,Cesare Siepi, and  the LOUDEST tenor on record, Gino Penno,who did not last too long, Zinka emitted some of the greatest sounds I have ever heard.

  Note the opening of "In mia man," where you hear the rich mixed low tones, brilliant top,total involvement with the music, great nobility, and to my ears, a legendary performance.

  I saw her 88 times, and can "play her repertory in my ears."

    She was not a cuddly Tebaldi, but I accepted it. She was a tough lady, until her butcher threw her out for smelling the chickens!

  (VAT??? Don't you know who I am???)

 

 I TOLD you more great stuff is coming!!!!!!!!!!!!!!!!!!!!!!!!!!

Direct download: ZinkaNorma.mp3
Category:podcasts -- posted at: 1:59pm EDT

He was born into an Armenian family living in the Russian city of Vladikavkaz, where his father was a mineworker. Pavel first worked in diamond drilling, then as a welder apprentice hoping to follow his father's steps. He first began to sing in a church choir before moving to Leningrad to study cello (1930).

As a strong-voiced soloist of a local amateur group he was commissioned to the Leningrad Conservatory.

He started his vocal career in the Maly Leningrad State Opera Theatre and then in the Yerevan Opera House, where he performed the leads for three years.

From 1940 to 1966, Pavel Lisitsian was the soloist of the Bolshoi Theatre and performed parts of Yeletsky, Onegin, Mazepa, and Robert (in Tchaikovsky’s The Queen of Spades, Evgenie Onegin, Mazepa, and Iolanta respectively), Germont and Amonasro (in Verdi's Traviata and Aida), Escamilo (in Bizet’s Carmen), Tatul (Spendiarov’s Almast), Arsaces II (Arshak II) (Chuhadzhyan’s Arshak II), Napoleon (in Prokofiev's War and Peace), and others.

During a concert tour of the USA in 1960, he appeared at the Metropolitan Opera as Amonasro. He died in Moscow.

 

Tchaikowsky and Rachmaninoff Songs.

  Since he lived from 1911-2004, Dmitri Hvorostovsky told me he knew him;there are similarities, since these two have gorgeous voices.

Direct download: Lisiit.mp3
Category:general -- posted at: 1:11pm EDT

Magda Olivero at Padua

Here is the "Miracle of the Opera World," Magda Olivero, at Padua on 4/7/71 (only 61 yrs.old),accompanied by the famous soprano Irma Adami Corradetti.

 Manon,Turandot,Francesca,Adriana(Poveri Fiori),Pelagio (Mercadente),Manon Lescaut,Adriana (Io son l'umile ancella), and Manon Lescaut (Sola,perduta).

Go to youtube, where she sings at 83, and I know from her caretaker that she had to get rid of her piano,since people asked her to sing, into her 90's.

I called her every birthday until about age 102, but then things got more difficult until she passed away at 104.

GOD BLESS HER!!!

Direct download: Magdapav.mp3
Category:general -- posted at: 12:43pm EDT

Maria Callas in La Sonnambula

Callas, Monti, Cossotto,Zaccaria

Cond.Antonino Votto 8/21/57 

Edinburg  Scala Visit

Direct download: Sonn.callas
Category:podcasts -- posted at: 6:35pm EDT

George London Live

1.Hoffmann w.Stich-Randall (1954-56)

2. Onegin w.Valerie Bak (1954)

3. Prince Igor aria (1953)

4. Aida duet w.Varnay (1953)

5. Walkure scenes w.Varnay (1953)

 

A great man!!!! One of the most dynamic singing/actors in opera. Sadly, the career was cut short by physical problems, but he still managed a fine career.

Direct download: George.mp3
Category:podcasts -- posted at: 4:42pm EDT


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