Here is the great man!!!!!!!!!!!!!!!!!!!!!!

Category:general -- posted at: 12:16am EDT

John Lundgren

A friend was listening to the live Bayreuth Walkure, featuring the debut of Swedish baritone, John Lundgren. He was CRAZY..likening him to Hotter and London. I tuned in and I was just AMAZED!!

Of course it is unique, but he must be ranked as one of the great singers of today. He is the Rance on the DVD Fanciulla w.Stemme, and I hope he records more.

Not often do we hear this level of singing, especially in such difficult music.  Bless him!!!!!

 

 

Category:podcasts -- posted at: 6:44pm EDT

https://vimeo.com/174245102

 

On or off stage, I love this guy...Who doesn't????

Category:general -- posted at: 4:51pm EDT

Carlo Bergonzi emerged as one of the greatest artists in opera history. Here,in 1986, he returns to the Met. He was born on 7/13/24.

The "slancio" is incomparable...a GOD in music!!!

Category:general -- posted at: 12:38pm EDT

Dominic Cossa

Born in Jessup, Pennsylvania, Cossa studied with Anthony Marlowe in Detroit, Michigan, Robert Weede in Concord, California, and Armen Boyajian in New York City. He made his debut at the New York City Opera as Morales in 1961, and a week later sang Sharpless with the company. He won the American Opera Auditions in 1964 and was sent to Italy for debuts at the Teatro Nuovo in Milan and Teatro della Pergola in Florence.[2]

He made his debut at the San Francisco Opera in 1967 as Zurga in Les pêcheurs de perles. His Metropolitan Opera debut took place on January 30, 1970 as Silvio in Pagliacci. Other roles there were Figaro in Il barbiere di Siviglia, Lescaut in Manon Lescaut, Marcello in La bohème, Mercutio in Romeo and Juliette, Masetto in Don Giovanni, Valentin in Faust, Yeletsky in Pique Dame, Germont in La traviata, and Albert in Werther. In 1976 he created the role of David Murphy in the world premiere of Gian Carlo Menotti's The Hero with the Opera Company of Philadelphia.[3]

Cossa's left a few notable recordings of his best roles such as Belcore in L'elisir d'amore opposite Dame Joan Sutherland and Luciano Pavarotti, Achillas in Handel's Giulio Cesare opposite Norman Treigle and Beverly Sills, Nevers in Meyerbeer's Les Huguenots, again opposite Sutherland, Martina Arroyo and Huguette Tourangeau, and the baritone solo part in Roger Sessions' When Lilacs Last in the Dooryard Bloom'd. He can also be heard on the Classical Record Library's A Celebration of Schumann and Schubert with the Chamber Music Society of Lincoln Center.

He has sung as soloist with the New York Philharmonic, the Boston Symphony, the Chicago Symphony, the Israel Philharmonic, and the National Symphony.

He was chosen by Licia Albanese to be the recipient of the Puccini Foundation's Bacccarat Award in 2004, and in 1993 was inducted into the Hall of Fame for Great American Singers at the Academy of Vocal Arts in Philadelphia.

Cossa taught at the Manhattan School of Music and in 1988 he accepted a position as Professor of Music at the University of Maryland, College Park, where he became chair of Voice/Opera.

 

Also, a SWEET GUY!!!!!!!!!!!!!!!!!!!!!!!

Direct download: cossa.mp3
Category:podcasts -- posted at: 4:07pm EDT

Adamo Didur

His North American debut was as Alvise in Ponchielli's La Gioconda at the second season opening of Hammerstein's Manhattan Opera House. It was the night of "Golden Age" stars, also featuring American debuts of Giovanni Zenatello as Enzo and Jeanne Gerville-Réache as La Cieca, while Lillian Nordica sang the tile role, Mario Ancona was Barnaba and Eleanora de Cisnero was Laura. A year later, Metropolitan Opera engaged Didur as Méphistophélès in Gounod's Faust at the inauguration of the new Brooklyn Academy of Music to be followed two days later by his Ramfis in Giuseppe Verdi's Aida. On this all-star opening night of the 1908 season, Arturo Toscanini was in the pit and the rest of the cast included Emmy Destinn in her Met debut as Aida, Enrico Caruso (Radames), Louise Homer (Amneris) and Antonio Scotti (Amonasro). He remained with the company for a quarter of a century and became one of its principal bass singers, counting 933 performances in 55 roles.[9]

It was at the Met in 1913 that he appeared in the title role of Boris Godunov in the American premiere of Mussorgsky's opera.[10][11][12] Didur created the roles in three operas by Giacomo Puccini at the Met, La fanciulla del West and the Il tabarro and Gianni Schicchi of the Il Trittico trilogy. He also appeared at the world premiere of Humperdinck's Die Königskinder. His other important "firsts" at the Met include the US premieres of Mozart's Così fan tutte, Smetana's The Bartered Bride, Borodin's Prince Igor (singing both Prince Galitzky and Khan Konchak), and Montemezzi's L'amore dei tre re. He also sang under the baton of Gustav Mahler in Mozart's Le nozze de Figaro, Smetana's The Bartered Bride and the Met premiere of Tchaikovsky's The Queen of Spades. Didur's last appearance at the Met was in the role of Coppélius in Les Contes d'Hoffmann on 11 February 1932.[9] His voice had been on the wane for some time and he returned to live in Europe.[13

Direct download: didur.mp3
Category:podcasts -- posted at: 3:50pm EDT

Rare stage appearances by Virginia Zeani. She just told me they did a festival in her honor in Romania.

Who deserves it more?  Remember she is my "sister."

Category:general -- posted at: 7:40pm EDT

When I find a new voice,I want others to sample it.Note remarkable pianissimo tones, AND mixed chest voice on "Crudel," which pleases me so much.

Category:general -- posted at: 4:30pm EDT

Eleonora Buratto was born in Mantua, Italy. After graduating at the "Lucio Campiani" Conservatory, she continued her studies for three years under the guidance of Luciano Pavarotti and then with Paola Leolini. 
She made her debut in the role of Musetta in La Bohème in 2007, winning the competition " Adriano Belli " in Spoleto.
In 2009, conducted by Riccardo Muti, she debuted in the role of Creusa in Demofoonte by Jommelli at Salzburg Festival, Opèra Garnier and Ravenna Festival. In 2011, again under the baton of Riccardo Muti, she was Susanna in I due Figaro by Mercadante at Teatro Real Madrid, then at Salzburg Festival, Ravenna Festival and at the Colòn of Buenos Aires. In 2012, conducted by Riccardo Muti, she was Amelia in Simon Boccanegra at the Opera Theatre in Rome and in 2013 Norina in Don Pasquale at Teatro Real Madrid and in Rome and she sang in Chicago in the Mass in C minor with the Chicago Symphony Orchestra under the baton of Riccardo Muti. In 2014 she was again Amelia on tour in Japan with the Rome Opera Company.

Category:general -- posted at: 12:07pm EDT

You cannot judge by this clip, but the second this delightful lady sang the first Norina line, it was as if she was "miked." What a fabulous,most unusual resonance. I was thrilled!!!!!

  May she go far!!!!!!!!!!!!!!!!!!!!!!!!!

 

 

 

Category:general -- posted at: 12:00pm EDT


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