Callas did it...Galvany did it..Guleghina did it....and NOW...Dimitra Theodossiou takes the fabulous interpolated high E flat at the end of the Nabucco duet w.Nucci.

  But the Met probably would not like her..too exciting!!!!!!!

Anita Cerquetti had to retire very soon. She had a magnificent voice,as you will hear, in arias from Ernani, Agnese di Hofenstaufen (Spontini), Oberon, Vespri Siciliani, Forza del Destinmo.William Tell, Aida,and Ernani. (63 min.)

Anita Cerquetti (April 13, 1931) is an Italian dramatic soprano who had a short career in the 1950s.

Cerquetti was born in Montecosaro, near Macerata, Italy. She was originally a student of the violin and trained eight years with Luigi Mori. After a mere one year of vocal study at the Conservatory of Perugia she made her operatic debut in Spoleto in 1951 as Aida. She sang all over Italy, notably in Florence as Noraime in Les Abencérages, under Carlo Maria Giulini in 1956, and as Elvira in Ernani, under Dimitri Mitropoulos in 1957. Her Teatro alla Scala debut was in 1958 as Abigail in Nabucco. She also sang on RAI in a wide variety of roles such as Elcia in Mosè in Egitto, Mathilde in Guglielmo Tell, Elena in I vespri siciliani, etc.

Cerquetti made headlines in January 1958, when she replaced "in extremis" the ailing Maria Callas in Norma, at the Rome Opera House. She was already singing the role at the San Carlo in Naples. She commuted between the two cities to honor both engagements for several weeks. This "tour de force" won her great acclaim but had serious effects on her health. Shortly after she started withdrawing little by little from the stage until her complete retirement in 1961, aged only 30.

Cerquetti sang relatively little in America. Her debut there was at the Lyric Opera of Chicago in 1955, as Amelia in Un ballo in maschera, opposite Jussi Björling, with Tullio Serafin conducting.

Cerquetti made only two commercial recordings, both for Decca in 1957, a recital of Italian opera arias and a complete La Gioconda with Mario del Monaco, Ettore Bastianini, Giulietta Simionato, Cesare Siepi. Among her "pirated" recordings is a 1958 Aida, from Mexico City, with Flaviano Labò, Nell Rankin, Cornell MacNeil, Fernando Corena and Norman Treigle. The Rome Norma of 1958 with Franco Corelli is also available. In 1996 she sang and talked in Jan Schmidt-Garre's film Opera Fanatic. A recording of Don Carlo from Florence 1956 featuring Cerquetti as Elizabetta is available from Melodram.

Highlights from an exciting Fidelio from Vienna, 1953 under Herbert Von Kareajan. It features Martha Moedl, Wolfgang Windgassen, Josef Metternich, Otto Edelmann (Rocco), Rudolf Schock, Elizabeth Schwarzkopf, and Hans Braun (Don Fernando.)  (65 min.)

  Not the typical Lucia voice (like Callas), but very exciting!!!!!  By the way, anyone who can guess all her fake names and the real one, I will send you all my Maria Malibran tapes.(WHO???)

 Oslo Norway recent La Boheme.....Do not ask what it means!!!!!!!!!!!!!!!!!!!!!!!!!!!!!  (Good singers anyway,but.......)

OK......My buddy James Jorden (La Cieca) repaired the podcast problem, and they will be back tomorrow..Thanks for your patience!!!!!  I will still provide video clips as a bonus!!!!

One of my favorite operas. King is superb here, and I recommend this opera to all.

Funny joke on Birgit Nilsson during the Solti Gotterdamerung recording session....From the documentary,"The Golden Ring."

Anna has such a great personality, to accompany a fabulous voice. How many singers today would be great in any era? LUV HER!!!!!

In the event you are new to this site, here is a repeat of the wildest stage happening we ever taped. I think it might have been a jealous diva, since it took place at Ashley Putnam's City Opera debut in 1977. When I told the tenor, Henry Price, that I was there,he said, "So was I!!!"...How did he go on?????

   There were many rumors, but we really never found out what this was all about,but at least we have this for posterity. I covered some music classes once, and the kids made me play this every day!!!!!!