One of the very last exponents of truly emotional style and careful attention to the delicacy of phrasing in opera has been Renata Scotto. This 1967 Radio Turino Butterfly from 1967 under Artuto Basile is an example of her great artistry, despite some of the top notes that were often a bit problematical as the years passed.he is 33 here, but for many more years her Butterfly remained  possibly the greatest of them all.She is joined by Renato Cioni,Franca Mattiucci, and Alberto Rinaldi. (71 min.)

 A delightful Die Fledermaus from Stuttgart Radio, 1938 under Gustav Goerlich.The cast includes Margarete Teschemacher (Rosalinda), Peter Anders (Alfred), Karl Mikorey (Eisenstein), Einar Kristjansson (Orlovsky), Martina Wulf (Adele), and Karl Schmitt-Walter (Dr.Falke.).

   In act two the guests are Erna Berger, Peter Anders, Maria Reining, and Esther Rethy.  (70 min.)

   Darling miraculous Magda Olivero turns 103 on March 25. She will speak in that gorgeous "verismo Italian" when I call her...Hard to imagine a world without this beautiful spirit!!!!

 Here is part two of the Vienna 1961 Son Carlo  (51 min.)

 Part One of a 1961 Vienna Don Carlo under Fausto Cleva,featuring Flaviano Labo,Antonietta Stella, Giulietta Simionato, Eberhard Waechter, and Walter Kreppel. (61 min.)

Renata Tebaldi and Franco Corelli on television in Chenier finale.(In key).

 The GOD of singing in a magnificent example of the heart and soul of the great Caruso. Note the way he enters his "passaggio" on a word like "notte" and for me EVERY Caruso "vocal situation" is unique in my mind. Bless this great man!!!!

The beloved Bidu Sayao makes her Met debut as Manon in 1937 under Maurice Abravanel. The cast is completed by Sydney Rayner, Richard Bonelli, Angelo Bada, Chase Baromeo, and George Cehanovsky.  This is a historic event, for it heralds the great Sayao career.  (71 min.)

         My very dear opera friends,

                     You may or may not understand a "crazy collector's mentality," but as I approach age 77, I look around and feel that some day I do not want my enormous collection to go into a dumpster. My joke is that when I met Anja Silja a few years agho after a Jenufa, I asked her for the Elena Makropolous formula so I could have 356 hyears more to listen to my tapes. She must have thought "who is this nutcase?"
                I have been discarding reels and cassettes (ever hear of them?), but what remains is still an enormous collection of CD's,VHS videos, and LP's, not just the items I used for a 25 year "Pirate business" but lots of commercial material. For example, do you know anyone who has over 50 Elektras or every Ring that was ever recorded?
                  I look around and wonder what I was thinking when I would visit Tower Records after a Met performance and buy something like the complete works of Heinrich Schlachenheimer (??)This is why I am so glad Tower closed because I can save a little money!
             In your travels (and I am also speaking to singers or opera-lovers who reside in other countries), you might know some younger opera lovers, similar to a 17 year old Charlie Handelman who knew every note of Zinka Milanov's repertory.(and most of the words.) Also,you may be affiliated with a school like MSM where young students can enjoy some of my enormous collection...rather than have it lay around and gather dust.
            This does not mean that I am discarding everything, but let's face it....there is just too much...and I would like to "spread the wealth" to those of you who might be interested. Of course, you would need a truck, a U-haul, or a large tenor to pick stuff up. Why should it sit around here and some day be discarded, although my executor can do what he wants with it..but it would be an enormous job.
             Well, that is where I am at the moment, and please feel free to write or phone me if you have any ideas..but do not give anything to anyone who never heard of Claudia Muzio!
                                                     Love  Charlie  Placido21@aol.com

  I have spoken often of the old La Puma Co.and have played you scenes. TELL ME...could any of you sit there and not have a serious accident in your.....They finally threw us out one night...we could not stop laughing..I miss them so..but at least we have the Met.....