In loving memory of the late Rise Stevens, I present a podcast of arias that feature this great artist in her prime years. I have announced the selections. In tribute to my beloved Rise.  (68 min.)

Through my tears, I am trying to find words to describe was Rise Stevens meant to me in my life. The first singer I ever met at 15 was Rise, and we went to her home every year in the club we had for her. She was as kind and gracious as any human being could be, and at this moment I think back to all those years, onstage and off, and the pleasure she gave to us.
         I see that Octavian as she came down the stairs with the rose for Hilde Gueden, the elegance, the beauty, the rich voice as she began the Presentation Scene; I see the gorgeous Delilah with Mario Del Monaco; I recall how we used to wonder how many times they had to sew up the curtain at the end of Carmen, where she fell and died in that production.
         But most of all, I think of the lady who was the first "star" I ever met, and i actually never forgot the "greasepaint feeling" on my palm as she shook my hand as if she always knew me
           That is all I want to say at this moment about Rise, as I try to remember more and more of the beauty of this woman, who brought many others to opera, and who will remain in my heart forever.
             Dearest Rise, rest in peace....you will never be forgotten.

                                                                         Lovingly, sadly, but happy she was a part of my life.........and that of so many.    Charlie

 One of the world's greatest aingers, Lilli Lehmann recorded a wide variety of material (announced) and I sincerely hope you enjoy it. Remember,she was almost 60 here.  (66 min.)

Lehmann sang in the first Bayreuth Festival in 1876, singing in the first complete performances of The Ring Cycle as Woglinde and Helmwige. She performed in London in 1884, and appeared at the New York Metropolitan Opera in 1885–1890. Together with her Met colleagues Fischer, Alvary, Brandt, and Seidl, she helped to popularise Wagner's music in America. By remaining in America beyond the leave granted her by the Berlin Opera, she faced a ban following her return to Germany. After the personal intervention of the Emperor, the ban was lifted.

She appeared at London's Royal Opera House, Covent Garden, in 1899 and sang in Paris and Vienna in 1903 and 1909 respectively. In 1905, she sang at the Salzburg Festival, later becoming the festival's artistic director. Lehmann was also renowned as a Lieder singer. She continued to give recitals until her retirement from the concert stage in the 1920s.

Her mature voice, of splendid quality and large volume, gained for her the reputation of being not only one of the greatest Wagnerian singers of her day but also an ideal interpreter of Bellini's Norma and the operatic music of Mozart. She was considered unsurpassed in the rôles of Brünnhilde and Isolde but sang an astonishingly wide array of other parts. Indeed, across the span of her career, she performed 170 different parts in a total of 119 German, Italian and French operas. She was noted not only for her rendering of the musical score, but also as a tragic actress.^[1] She was also a noted voice teacher. Among her pupils were the famous sopranos Geraldine Farrar and Olive Fremstad.

In 1888, she married the tenor Paul Kalisch.

Portrait with signature, 1903

Lehmann founded the International Summer Academy at the Mozarteum in Salzburg in 1916. The academy's curriculum concentrated on voice lessons at first but it was extended later to include a wide variety of musical instruction. ^[2]

The Lilli Lehmann Medal is awarded by the Mozarteum in her honour. Her voice can be heard on CD reissues of the recordings which she made prior to World War I. Although past her peak as an operatic singer when she made these records, they still impress.