Manon from 1969, La Scala

Never mind the "wrong language." I adore French, but Freni and Pavarotti are in such glorious form, I had to do this one. Rolando Panerai is Lescaut,Antonio Zerbini is the Count, and Franco Ricciardi is De Bretigny. Conducted by Peter Maag. (71 min.)

Direct download: Manon_Pav.mp3
Category:podcasts -- posted at: 7:55pm EST

GOD BLESS YOU,FRANCO CORELLI

  What more can we say,as we remember Franco's birthday,on April 8, 1921! I saw him 40 times, and although there were times we wanted to shoot him (well,married to Loretta was not easy), he was ADORED!!!!!     God bless him forever!!

With a rich and ringing spinto tenor voice and movie-star good looks, Corelli won a wide public following from early on his career. However, while the public was enthralled with the tenor, music critics were divided, with some complaining about what they perceived as self-indulgence of phrasing and expression. During the 1960s the anti-Corelli sentiment among critics was epitomized by Alan Rich of the The New York Herald Tribune in a 1966 article which, while acknowledged the vibrancy and white heat of his singing, considered Corelli a throwback to an earlier era when, from Mr. Rich's perspective, musical compromises were common and stylistic refinement lacking. Rich said that, Corelli is "not employed by an opera, but employs it to serve purposes it was not meant to serve."[2] Also, many critics did not look favourably on his performances in French opera, owing to the tenor’s exotic French diction and style.[1] However, Corelli also had his admirers among several highly respected and notable critics, including Harold C. Schonberg of The New York Times, who once defended the expressive liberties taken by Corelli as possessing "its own kind of logic".[2]

Category:general -- posted at: 6:56pm EST

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